Azizollah Hamidnezhad is an Iranian director and producer. Born in Garmsar in 1959, he began his artistic career in 1977 by making documentary-style movies for Tehran Independent Cinema. His most well-known films include “Hoor on Fire” (1991) and “Tear of the Cold” (2004), both of which explore the experiences of soldiers in the Iran-Iraq war. “Tear of the Cold” won the Audience Prize in Chicago, 2004.Ali Mohammadi has been a Actor in some movies:
Taboo is about that When the strong-willed Bahar
... catches the attention of wealthy landowner Salar, she faces the prospect of a forced marriage to someone 40 years her senior. Unhappy and desperate for control over her own destiny, she decides to run away with her true love. However, this proves to be far from easy, and soon both Salar and Bahar’s abusive father Aghamoo are on her trail. Sweet, romantic, and at times tragic, this drama questions how far we are willing to go for love. In this film Ali Mohammadi collaborates with Elnaz Shakerdoost, Mehran Rajabi, Nooredin Alami, Hadi Dibaji, Javad Norooz Beigi, Nader Masoumi, Hossein Alizadeh, Hassan Hassandoust, Amir Hossein Ghasemii, Khosro Masoumi, Ahmad Salehi, Hossein Abedini, Jamal Ejlali, Roshanak Gerami, Houman Masoumi, Shahrzad Aghighi, Jamshid Jahanzadeh, Khayam Vaghar, Bijan Afshar, Elham Nami, Mitra Tabrizi, Meysam Yardilou, Iran Entezam.
Recipient is about that The president is visiting a small city in Iran. Many people write letters to the president complaining about their problems. In this film Ali Mohammadi collaborates with Mohammad Reza Ghaffari, Nima Shahrokh Shahi, Siamak Atlasi, Chakameh Chamanmah, Mohammad Reza Sharifinia, Pardis Afkari, Bagher Sahraroodi, Babak Panahi, Mehdi Hosseinivand, Afsaneh Naseri, Vahid Moghadasi, Behzad Abdi, Ali Mohammad Zadeh, Alireza Alavian, Saeed Jalali, Mirtaher Mazloumi, Akbar Rooh, Mehrdad Ghafarzadeh, Saeed Rad, Reza Ahadi, Saeid Hashemi, Mohammad Ghahremani, Soodabe Khosravi, Mehrdad Movafagh.
A Blessing in Disguise is about that Reza Golzar, the famous and popular movie star, is having bad days. compliments and media’s attention doesn’t make him happy.. He’s got divorced from his wife, Simin, despite the love that’s still between them and he strongly feels her empty place in his life. Ata, Simin’s brother, who’s a friend of Reza too, is still in contact with him and it is him who informs his sister that her friend, Bita, is trying to get close to Golzar. Lida, another friend of Simin who’s a feminist lawyer, takes advantage of this situation and encourages to punish her ex-husband. Simin puts him in a bad situation and asks for her share of their house. At the same time, an incident brings another young woman, whose name is Simin too, into their lives and Simin (the first one!) cannot just ignore her. Simin (the second one), who is also called Sim Sim, acts more than expected of her because of living in France for more than 20 years and gradually picks Golzar’s attention. However, Simin is not willing to lose her husband. With her right-on-time showing-ups, she prevents the relationship forming between them. In the midst of all of this, hearing the news of Simin’s (the first) pregnancy causes Golzar, who’s about to get married again, to come back to her once again. In this film Ali Mohammadi collaborates with Bahareh Rahnama, Baran Kosari, Mohammad Reza Golzar, Niousha Zeighami, Reza Attaran, Mohammad Hossein Latifi, Seyyed Kamal Tabatabaie, Mohammad Reza Sokoot, Kaveh Imani, Karen Homayounfar, Mohammad Haj Hosseini, Ahmad Ahmadii, Naiemeh Nezam Doost, Ahmad Pourmokhber, Parvin Meykadeh, Mohsen Babaei, Peyman Abbasi, Giti Moeini, Mohsen Noroozi, Majid Yaser, Lida Abbasi, Siamak Niazi, Mozhgan Mozaffari.
Ali Mohammadi has been a Costume Designer in some movies:
A Light in the Fog is about that In this sumptuously visualized and wonderfully poetic movie, a woman Rana takes care of her aging father while waiting for her husband to return from the frontline. To pass the time she helps her father make charcoal and mend lanterns, a metaphorical search for a source of illumination in her life. On the day that Rahmat, a passing cyclist, gives Rana his bicycle light to mend, she starts to sense an end to the days of uncertainty and gloom, a silver lining waiting just around the corner. The film's elegant compositions and quietly powerful performances slowly envelop us in the widow's simple, poignant world. This exquisite debut recalls such masterpieces as Sohrab Sahless' 'Still Life'. An austere and mesmerizing triumph. In this film Ali Mohammadi collaborates with Parivash Nazarieh, Hossein Saberi, Reza Khosravi, Ali Mohammad Ghassemi, Asghar Shahverdi, Panah Bar Khoda Rezaei, Farid Koshan Fallah, Behrooz Jalali, Massoud Heshmat, Majid Yousefi, Arash Sadeghi, Behrooz Jalili, Mohammad Reza Yoosefi, Mahmood Fallah.
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