Kianoush Ayari ( کیانوش عیاری ) is an Iranian editor, writer, producer and director. Born in Ahwaz in 1951, Ayari began his film career in 1970 when he joined the Free Cinema Group in his hometown, and soon made a name for himself in this experimental trend of amateur cinema. Kianoush Ayari made several 8mm short films, including Rain of DustKianoush Ayari has been a Director in some movies:
To Be or Not to Be is about that 'To Be or Not to Be' is the story of Anik Avanessian, a young woman suff
...ering from a cardiac insufficiency that has caused her health to deteriorate to the point where she can no longer walk or speak without difficulty. With time running out, Anik is desperate for a heart transplant, but with her name just one on a list of 200, the chances of finding a suitable heart become increasingly unlikely. Anik's future rests in her ability, with her doctor, to convince the family of a brain-dead man to release their loved one's heart, so that it might live on in her. When it transpires that the man is the son of a disreputable criminal family, things go from bad to worse. A suspenseful tale of a woman doing her best to overcome the unimaginable, this film delivers an emotional punch. In this film Kianoush Ayari collaborates with Asal Badiee, Maryam Boubani, Chakameh Chamanmah, Reza Fayyazi, Farhad Sharifi, Hossein Ilbeigi, Noor Ali Lotfi, Lorik Minassian, Yadollah Teymouri, Nooredin Alami, Bita Baadraan, Katayoon Jahangiri, Hasan Kakhi, Mehrdad Falahatgar, Shabnam Tolouei, Parviz Malek Zadeh, Ahmad Ahmadii, Masoud Behnam, Hassan Zahedi, Zohreh Mojabi, Jamal Hashemi, Mehdi Habibipur, Rahele Parvinnia, Shabnam Jafroodi, Soheila Tilavi, Reza Semsari, Ali Nasiri, Hossein Roozbeh.
Kianoush Ayari has been a Producer in some movies:
There Is Nothing Behind the Door is about that Nader steals some jewelry and goes to a house in which his sister Parvin is a nurse. Parvin's fiance, Hadi, is a soldier. He is assigned to accompany Leila going to the house of her ex-husband in order to take her child due to the court verdict. Behrouz lives in the same apartment where Parvin is working. In this film Kianoush Ayari collaborates with Mehraveh Sharifinia, Roya Nonahali, Farideh Sepah Mansour, Shahram Haghighat Doost, Shabnam Orfinejad, Saleh Mirza Aghaie, Arash Khalagh Doust, Reza Rooygari, Mahsa Azimi, Saeed Salehi, Saloumeh Eskandari, Mohsen Panahi, Mehdi Ayoubifar, Reza Asghari, Hassan Moazeni, Sousan Parvar.
The Abadanis is about that A powerful examination of life during Iran's horrific war with Iraq. Shot in black and white, this film clearly derives inspiration from Vittorio de Sica's Bicycle Thieves and examines the war through the eyes of Bora, a young boy who fled to Tehran with his family. When his father's car is stolen, the family is robbed of its only source of income. As his father takes Bora along in his desperate search for the missing vehicle, we glimpse the despair faced by low-income families in times of war. Deeply atmospheric and moving. In this film Kianoush Ayari collaborates with Kazem Hajir Azad, Osamah Sami, Saeed Poursamimi, Saeed Sheikhzadeh, Hassan Rezaei, Bagher Sahraroodi, Reza Radmanesh, Reza Rakhshan, Jahangir Mirshekari, Behrooz Razavi, Alireza Zarrindast, Saeed Shahram, Fatemeh Taheri, Rahman Moghaddam, Karim Neshat, Amir Molaei, Sasan Bagherpour, Asghar Khandan, Karim Chehel O'Yek, Asghar Farzam, Nahid Rezai, Mohammad Goodarzi, Iraj Sarbaz, Ghaffar Rezaei, Golchehreh Danesh, Shapour Hakimi, Ebrahim Aghajani, Sahereh Matin, Nader Tarighat, Mahvash Jazayeri, Ali Masoumi, Afsaneh Mohammadi, Firouz Dadashpoor, Ghazanfar Ravand, Shamsi Ali Babaee, Bahman Pasandi, Ahmad Masoodi, Reza Semsari, Tahere Kazemi.
The Monster is about that Mahmud is a dedicated scriptwriter and cinema enthusiast who has just finished shooting an 8mm film and now hopes to get it remade as a full-length feature. He fails however to convince the production company to grant him the resources he needs, so together with his close friend Hassan, he starts acting out the story in real life. Expect many twists and turns in this cutting-edge feature that explores the very act of filmmaking, from the ingenious mind of Kianoush Ayari. In this film Kianoush Ayari collaborates with Jahangir Almasi, Nematollah Gorji, Hassan Rezaei, Kazem Afrandnia, Manijeh Aghai, Nasser Aghayi, Farzaneh Kaboli, Mansoor Majlesi, Parvin Soleymani, Reza Jalali, Dariush Ayari, Akbar Doodkar, Karim Neshat, Masume Shah Nazari, Abbas Nazeri Nik, Ahmad Behrouzi, Zohreh Amiri, Foad Nour, Hamid Hamze, Nosrat Dastmardi, Majid Sarafi, Mahmood Alizadeh, Bahman Roozbahani, Naser Majd Bigdeli.
Beyond the Fire is about that Greed and power are the principal themes in Kianus Aayari's tale about two brothers in 1970's Iran. When the National Iranian Oil Company expands its drilling operations in the region, one family finds themselves displaced from their home and cast adrift in the south of the country. The compensation paid by the NIOC sets the brothers against each other, and the ensuing conflict threatens to unravel the unity of the entire family. A brilliant account of familial adversities set against the backdrop of Pahlavi Iran, 'Beyond The Fire' is a stunning example of storytelling within a historical context and an excellent piece of cinema. In this film Kianoush Ayari collaborates with Atefeh Razavi, Siamak Atlasi, Parvin Soleymani, Khosrow Shoja Zade, Parviz Abnar, Dariush Ayari, Masoud Behnam, Mostafa Ahmadi, Mehdi Habibipur, Faraj Molayi.
Kianoush Ayari has been a Editor in some movies:
Sweet Jam is about that Jalal, a 12-year old teenager, cannot open the jam jar while eating breakfast. He asks for help from his mother, his teacher, and his classmates but they fail to open it too. This problem occupies his mind and when he poses the problem to his friends, they also become curious to follow him. They do not receive a convincing response from the manufacturer and complain about it... In this film Kianoush Ayari collaborates with Amir Hossein Seddigh, Leila Hatami, Mani Nouri, Leili Rashidi, Hossein Soleimani, Gohar Kheirandish, Mohammad Reza Sharifinia, Jaleh Sameti, Mehdi Karimi, Ebrahim Abadi, Farhad Tohidi, Dariush Ayari, Houshang Moradi Kermani, Amir Pejman Habibian, Behnam Abtahi, Mahmoud Samakbashi, Masoud Behnam, Maryam Amir Jalali, Mahin Navidi, Soroush Khalili, Babak Shoaei, Siamak Ansari, Marzieh Boroomand, Ali Kalij, Ramin Naser Nasir, Hamzeh Ali-Akbari -, Navid Joza, Armin Salim-Moghaddam, Ashakan Malekli, Leila Shirmard, Parvaneh Abbasi, Ali Lak-Pourian, Mahyar Mojib, Masoumeh Sheikhzadeh, Hasan Rashid-Ghamat, Reza Shirvani, Soheila Nemati, Amir Abedi, Arjang Amirfazli, Reza Feiznorouzi, Mahdis Azizpoor.
The Paternal House is about that A father murdering his daughter in an act of honor killing. With the complicity of his wife and son, he buries her corpse in the cellar. Family life continues, haunted by the shared knowledge of the murder across several generations. In this film Kianoush Ayari collaborates with Mehdi Hashemi, Mehran Rajabi, Shahab Hosseini, Nazanin Farahani, Dariush Ayari, Behzad Abdi, Asghar Nejad-Imani, Setareh Mirmohammad, Saeed Salehi, Ainaz Azarhoush, Mina Sadati, Naser Hashemi, Hossein Salehian, Azam Rahmani, Azadeh Movahed Bashiri, Ali Soltani, Masoumeh Bafandeh, Negah Khaghani, Mazdak Ayari.
Other films are:
The Grand Day, Wake up Arezou, Wings to Fly, Temporary, The Story of Davood and the Dove, Chick, Two Halves of an Apple, Beast's Chimney, Gohar Kheirandish a Filmography, Cow Horn, Iranian Spread, Setayesh, Today's Woman, The Fifth Man, Along with the Wind, Journey of the Grey Men, Sofa, Reker, Beach Villa, Suffering and Insolent, Dreams of Dust
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