Mohammad Tahaminejad was born in1942 in Tehran and studied journalism and cinema and have lectured in film and cinematic research at several universities. The central tendencies in his career had been as follows: 1-Documentary film making on social and cultural topics .His first film Iranian cinema from the constitutional Revolution to Sepanta (1970) was a portrait of Iranian cinema pioneers and the context they challenged with .There he tried to find and assemble some of the Iranian first forgo
...tten lost films in a narrative compilation (hybrid) film together with re-enactment and interviews with silent film personalities . like: Mr. Habibollah Moraad the hero of Haji Agha Actor e cinema ( Ohanian -1933)and director Ebrahim Moradi ( of Bolhavas -1934) and with our first talkie film Dokhtar -e Lor (1933) actress Roohanghiz Saminejad and others . The film’s perspective supported by a sociologic historical theme as he called “ searching for disappointment roots ( rishe yaabiye ya-es). His other films are : Return of the prisoners of war(1991) water distributor's night (1981) in a desert village and housing crisis in a modern city (1972) 2- He has achieved some qualitative studies since the end of 1960's. In 1994 he rewrote the script of his first documentary film , and published it. A book which selected as the best book of the year -1995. Two other books are: the cinema of dreams and phantasm (cinemaye ro ya pardaze iran 1986) and Iranian documentary cinema, the field of differentials (arse ye tafavotha-2001) a book about history and ideas. 3-Searching and introducing Iranian fiction and nonfiction (and footage) films had been also his engagement. 4- Documentary cinema from visual anthropological viewpoint andMohammad Tahami Nejad - has been a Director in some movies:
History of Iranian Cinema is about that nb In this film Mohammad Tahami Nejad - collaborates with Roohangiz Saminejad, Ali Hejrat.
Mohammad Tahami Nejad - has been a Actor in some movies:
Years of Restlessness is about that Jahan and Azam's life is disturbed when the results of the Konkour are announced. She has been accepted and a bright future awaits her, but he has failed and becomes confused. His confusion disturbs their married life as well. In this film Mohammad Tahami Nejad - collaborates with Ateneh Faghih Nasiri, Behzad Farahani, Bijan Emkanian, Fariborz Arabnia, Morteza Poursamadi, Mohammad Reza Aligholi, Asghar Abdollahi, Masoud Navabi, Vajihe Loghmani, Ebrahim Ahmad, Farzaneh Akbari.
The Heart And The Dagger is about that Sahar Banoo is a member of a nomadic tribe. Following the martyrdom of her brothers, she has decided to wear black for seven years. The other members of the tribe are worried about her so they gather around in a tradition called “Siah Dar Aroun” and give her presents and insist that she takes off her black clothes. Despite her will, the seven guys who are in love with her also gather and compete in a mounted shooting contest in order to win her attention. Meanwhile, seven mercenaries sneak into their shelter in order to get their hands on a treasure, and Sahar Banoo’s father gets murdered. In this film Mohammad Tahami Nejad - collaborates with Ferdous Kaviani, Turan Mehrzad, Fathollah Jafari Jozani, Masoud Jafari Jozani, Touraj Mansouri, Saeed Sadeghi, Hossein Zandbaf, Majid Entezami, Mohammad Motevaselani, Amir Hossein Khanshahri, Asghar Rahmani, Houshang Mansour Khaki, Valiollah Momeni, Sasan Bagherpour, Malek Jahan Khazaee, Manouchehr Azar, Soraya khorami, Ahmadreza Asadi, Shahram Zargar, Saghar Baseri, Javad Roshanaee.
Iranian Cinema: from Constitutionalism to Sepanta is about that This film recounts the story of the introduction of cinema to Iran and its formation from the Constitutional period to the filmmaking of Abdolhossein Sepanta in India. In this film Mohammad Tahami Nejad - collaborates with Roohangiz Saminejad, Ali Hejrat, Ebrahim Moradi, Khan Baba Khan Motazedi.
