Peyman Khaksar
پیمان خاکسار

Peyman Khaksar (پیمان خاکسار)
  • Editor
Peyman Khaksar (پیمان خاکسار) has been an Editor in the following movies: Track 143 (2013), Objects In Mirror Are Closer Than They Appear (2013), Women Are Incredible (2010), Accusation (2010), Roommate (2007) and more.
Peyman Khaksar (پیمان خاکسار) has been a Editor in some movies:
Track 143 is about that 'Track 143’ is a screen adaptation of Abyar’s novel titled ‘The Third Eye’ th ...at narrates the story of a woman during the 1980-1988 Iraq-Iran war waiting for her Iranian war soldier son to return... In this film Peyman Khaksar (پیمان خاکسار) collaborates with Mehran Ahmadi (مهران احمدی), Javad Ezati (جواد عزتی), Merila Zarei (مریلا زارعی), Masoud Sekhavatdoost (مسعود سخاوت دوست), Narges Abyar (نرگس آبیار‎), Mohammad Hossein Ghasemi (محمد حسین قاسمی), Abouzar Pourmohammadi (ابوذر پورمحمدی), Gelareh Abbasi (گلاره عباسی), Hessam Bigdeloo (حسام بیگدلو), Yadollah Shadmani (یدالله شادمانی), Kamyab Amin Ashayeri (کامیاب امین عشایری), Saman Majd Vafaei (سامان مجدوفایی), Peyman Shadmanfar (پیمان شادمانفر), Kamran Kiyan Ersi (کامران کیان ارثی), Soodabe Khosravi (سودابه خسروی)
Mehrjui Karnameh 40 Saleh is about that In this documentary, Dariush Mehrjoui talks about his filmmaking tragedies; Censorships, reprisals, preventing the officials of the Ministry of Guidance from screening his films and not accepting the responsibility of "saying no" to his films by any official, the hard days he went through after every ban and seizure of the film, the harassment he faced, the critics who did not understand his work, and so on. Working with his actors and how each of them sat in his films In this film Peyman Khaksar (پیمان خاکسار) collaborates with Bahram Radan (بهرام رادان), Bita Farahi (بیتا فرهی), Ezzatolah Entezami (عزت‌الله انتظامی), Golshifteh Farahani (گلشیفته فراهانی), Khosrow Shakibai (خسرو شکیبایی), Leila Hatami (لیلا حاتمی‎), Mani Haghighi (مانی حقیقی), Ali Mosaffa (علی مصفا), Dariush Mehrjui (داریوش مهرجویی), Bahman Kiarostami (بهمن کیارستمی‎), Touraj Mansouri (تورج منصوری), Ahmad Talebi Nejad (احمد طالبی نژاد), Vahideh Mohammadi Far (وحیده محمدی فر), Akbar Meshkin (اکبر مشکین), Majid Eslami (مجید اسلامی), Goli Tarraghi (گلی ترقی), Hamid Reza Sadr (حمیدرضا صدر)
Roommate is about that Mahsa, originally from Abadan, is living in Tehran as a student. She must find a place to live in while in Tehran, she decides, on a friend's advice, to live in a house which belongs to an old woman called Fakhri Khanoum. Fakhri Khanoum is supposed to leave Iran and tells Mahsa that she will no longer be able to live in the house after she leaves the country because she intends to rent it to a couple after her departure. Mahsa who has no other place than Fakhri Kahnoum's house decides to convince Fakhri Khanoum to allow her to continue living in the house. so, she asks Jamshid, a medial student and a waiter to help her and play the role of her futur husband. The problem starts when Fakhri Khanoum runs into problems and she must stay a more longer in Tehran. After a while, Jamshid and Mahsa start having feelings for each other. The problem is confounded when Mahsa's father pays a visit to her and is shocked to see Jamshid with his unmarried daughter. Finally, everything is settled down when Mahsa and Jamshid marry together and live happily ever after. In this film Peyman Khaksar (پیمان خاکسار) collaborates with Akbar Abdi (اکبر عبدی‎), Asal Badiee (عسل بدیعی), Maryam Boubani (مریم بوبانی), Majid Moshiri (مجید مشیری), Fathollah Jafari Jozani (فتح الله جعفری جوزانی), Bita Saharkhiz (بیتا سحرخیز), Bayram Fazli (بایرام فضلی), Mohsen Namjoo (محسن نامجو), Leila Zareh (لیلا زارع), Sara Samiei (سارا سمیعی), Mohsen Maleki (محسن ملکی), Shahrzad Kamal Zadeh (شهرزاد کمال‌ زاده), Arjang Amirfazli (ارژنگ امیرفضلی), Ali Mardaneh (علی مردانه), Amirhossein Sadeghi (امیرحسین صادقی), Babak Badkoobe (بابک بادکوبه), Alireza Ashkan (علیرضا اشکان), Mehrdad Farid (مهرداد فرید)
Women Are Incredible is about that After the legalisation of polygamy in Iran, things come to a head for Ardalan when he is involved in an unfortunate car accident. Injured in the crash, the secret of Ardalan's multiple marriages is suddenly unearthed, as his many wives vie for his attention. All from different backgrounds and with varying situations at home, the three women react very differently to the news, and as the inevitable comic clash reaches its height, Ardalan finds himself pulled in literally three different directions. Can he reconcile with the women before he is washed away by an encroaching sea of debt and bitter spouses? In this film Peyman Khaksar (پیمان خاکسار) collaborates with Reza Davoudnejad (رضا داوودنژاد), Afsaneh Bayegan (افسانه بایگان), Bahareh Rahnama (بهاره رهنما), Behnoosh Bakhtiari (بهنوش بختیاری‎), Hamid Goudarzi (حمید گودرزی), Jamshid Hashempour (جمشید هاشم پور), Elaheh Hesari (الهه حصاری), Bayram Fazli (بایرام فضلی), Nadia Maghooli (نادیا معقولی), Albert Arakelian (آلبرت آراکلیان), Babak Eskandari (بابک اسکندری), Hassan Rouhparvari (حسن روح پروری), Naser Sohrabi (ناصر سهرابی), Ahmad Salehi (احمد صالحی), Mahmood Moosavinejad (محمود موسوی نژاد), Mehrdad Farid (مهرداد فرید)
Accusation is about that In this satirical comedy, which pokes fun at the oppressive treatment of journalists in Iran, Ehsan is an endlessly down-on-his-luck journalist struggling with a messy divorce. So even when he finds success writing an article about superstitious beliefs amongst the urban middle classes, his new found popularity turns out to be a burden. His work is misinterpreted by the authorities, who attempt to imprison him for fraud! Aided by the quirky and flirtatious Nasim, he sets out on a desperate bid to save himself, uncovering a web of shadowy conspirators as he goes. But with his superstitious ex-wife at the centre of the conspiracy, can Ehsan clear his name? In this film Peyman Khaksar (پیمان خاکسار) collaborates with Behnoosh Bakhtiari (بهنوش بختیاری‎), Borzoo Arjmand (برزو ارجمند), Elnaz Shakerdoost (الناز شاکردوست), Reza Attaran (رضا عطاران), Bayram Fazli (بایرام فضلی), Bijan Banafshe Khah (بیژن بنفشه خواه), Albert Arakelian (آلبرت آراکلیان), Malake Ranjbar (ملکه رنجبر), Maryam Saadat (مریم سعادت), Maryam Amir Jalali (مریم امیرجلالی), Sara Samiei (سارا سمیعی), Fariba Motekhases (فریبا متخصص), Mehrdad Farid (مهرداد فرید)
Objects In Mirror Are Closer Than They Appear is about that An intimate drama following the story of Leila, a wife and mother. Expecting her third child and living in a small apartment in Tehran, she divides her time cooking, cleaning and caring for her children. After breaking a plate following a party with neighbors, Leila must search the city to find a replacement and save face with her family. This character study steadily reveals the hopes and desires of a woman unable to achieve her true potential within the confines of her impoverished background. In this film Peyman Khaksar (پیمان خاکسار) collaborates with Mehran Rajabi (مهران رجبی), Narges Abyar (نرگس آبیار‎), Mohammad Hossein Ghasemi (محمد حسین قاسمی), Abouzar Pourmohammadi (ابوذر پورمحمدی), Gelareh Abbasi (گلاره عباسی), Hessam Bigdeloo (حسام بیگدلو), Ramsin Kebriti (رامسین کبریتی), Amir Ghaffar Manesh (امیر غفارمنش), Masih Seraj (مسیح سراج), Shora Karimi (شورا کریمی), Nazanin Babaei (نازنین بابایی), Giti Moeini (گیتی معینی), Fatemeh Shokri (فاطمه شکری), Mina Noroozi (مینا نوروزی), Saghi Zinati (ساقی زینتی), Atena Bokharaei (آتنا بخارائی), Hashem Faghani (هاشم فقانی), Jafar Mohammadshahi (جعفر محمدشاهی)
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