Peyman Khaksar has been a Editor in some movies:
Roommate is about that Mahsa, originally from Abadan, is living in Tehran as a student. She must find a place to live in while in Tehran, she decides, on a friend's advice, to live in a house which belongs to an old woman called Fakhri Khanoum. Fakhri Khanoum is supposed to leave Iran and tells Mahsa that she will no longer be able to live in the house after she leaves the country because she intends to rent it to a couple after her departure. Mah
...sa who has no other place than Fakhri Kahnoum's house decides to convince Fakhri Khanoum to allow her to continue living in the house. so, she asks Jamshid, a medial student and a waiter to help her and play the role of her futur husband. The problem starts when Fakhri Khanoum runs into problems and she must stay a more longer in Tehran. After a while, Jamshid and Mahsa start having feelings for each other. The problem is confounded when Mahsa's father pays a visit to her and is shocked to see Jamshid with his unmarried daughter. Finally, everything is settled down when Mahsa and Jamshid marry together and live happily ever after. In this film Peyman Khaksar collaborates with Akbar Abdi, Asal Badiee, Maryam Boubani, Majid Moshiri, Fathollah Jafari Jozani, Bita Saharkhiz, Bayram Fazli, Mohsen Namjoo, Leila Zareh, Sara Samiei, Mohsen Maleki, Shahrzad Kamal Zadeh, Arjang Amirfazli, Ali Mardaneh, Amirhossein Sadeghi, Babak Badkoobe, Alireza Ashkan, Mehrdad Farid.
Accusation is about that In this satirical comedy, which pokes fun at the oppressive treatment of journalists in Iran, Ehsan is an endlessly down-on-his-luck journalist struggling with a messy divorce. So even when he finds success writing an article about superstitious beliefs amongst the urban middle classes, his new found popularity turns out to be a burden. His work is misinterpreted by the authorities, who attempt to imprison him for fraud! Aided by the quirky and flirtatious Nasim, he sets out on a desperate bid to save himself, uncovering a web of shadowy conspirators as he goes. But with his superstitious ex-wife at the centre of the conspiracy, can Ehsan clear his name? In this film Peyman Khaksar collaborates with Behnoosh Bakhtiari, Borzoo Arjmand, Elnaz Shakerdoost, Reza Attaran, Bayram Fazli, Bijan Banafshe Khah, Albert Arakelian, Malake Ranjbar, Maryam Saadat, Maryam Amir Jalali, Sara Samiei, Fariba Motekhases, Mehrdad Farid.
Women Are Incredible is about that After the legalisation of polygamy in Iran, things come to a head for Ardalan when he is involved in an unfortunate car accident. Injured in the crash, the secret of Ardalan's multiple marriages is suddenly unearthed, as his many wives vie for his attention. All from different backgrounds and with varying situations at home, the three women react very differently to the news, and as the inevitable comic clash reaches its height, Ardalan finds himself pulled in literally three different directions. Can he reconcile with the women before he is washed away by an encroaching sea of debt and bitter spouses? In this film Peyman Khaksar collaborates with Reza Davoudnejad, Afsaneh Bayegan, Bahareh Rahnama, Behnoosh Bakhtiari, Hamid Goudarzi, Jamshid Hashempour, Elaheh Hesari, Bayram Fazli, Nadia Maghooli, Albert Arakelian, Babak Eskandari, Hassan Rouhparvari, Naser Sohrabi, Ahmad Salehi, Mahmood Moosavinejad, Mehrdad Farid.
Objects In Mirror Are Closer Than They Appear is about that An intimate drama following the story of Leila, a wife and mother. Expecting her third child and living in a small apartment in Tehran, she divides her time cooking, cleaning and caring for her children. After breaking a plate following a party with neighbors, Leila must search the city to find a replacement and save face with her family. This character study steadily reveals the hopes and desires of a woman unable to achieve her true potential within the confines of her impoverished background. In this film Peyman Khaksar collaborates with Mehran Rajabi, Narges Abyar, Mohammad Hossein Ghasemi, Abouzar Pourmohammadi, Gelareh Abbasi, Hessam Bigdeloo, Ramsin Kebriti, Amir Ghaffar Manesh, Masih Seraj, Shora Karimi, Nazanin Babaei, Giti Moeini, Fatemeh Shokri, Mina Noroozi, Saghi Zinati, Atena Bokharaei, Hashem Faghani, Jafar Mohammadshahi.
Track 143 is about that 'Track 143’ is a screen adaptation of Abyar’s novel titled ‘The Third Eye’ that narrates the story of a woman during the 1980-1988 Iraq-Iran war waiting for her Iranian war soldier son to return... In this film Peyman Khaksar collaborates with Mehran Ahmadi, Javad Ezati, Merila Zarei, Masoud Sekhavatdoost, Narges Abyar, Mohammad Hossein Ghasemi, Abouzar Pourmohammadi, Gelareh Abbasi, Hessam Bigdeloo, Yadollah Shadmani, Kamyab Amin Ashayeri, Saman Majd Vafaei, Peyman Shadmanfar, Kamran Kiyan Ersi, Soodabe Khosravi.
Mehrjui Karnameh 40 Saleh is about that In this documentary, Dariush Mehrjoui talks about his filmmaking tragedies; Censorships, reprisals, preventing the officials of the Ministry of Guidance from screening his films and not accepting the responsibility of "saying no" to his films by any official, the hard days he went through after every ban and seizure of the film, the harassment he faced, the critics who did not understand his work, and so on. Working with his actors and how each of them sat in his films In this film Peyman Khaksar collaborates with Bahram Radan, Bita Farahi, Ezzatolah Entezami, Golshifteh Farahani, Khosrow Shakibai, Leila Hatami, Mani Haghighi, Ali Mosaffa, Dariush Mehrjui, Bahman Kiarostami, Touraj Mansouri, Ahmad Talebi Nejad, Vahideh Mohammadi Far, Akbar Meshkin, Majid Eslami, Goli Tarraghi, Hamid Reza Sadr.
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