Saeed Mohammadi has been a Actor in some movies:
The Cheque is about that Despite their different characters and beliefs, four people are obliged to spend two nights and one whole day together as they are going to have their shares after cashing a cheque. Although they contradict each other in very possible way, each of them has to respect the others for at least thirty hours. But there is something else going on: everyone is looking for a way to take the whole money! In this film Saeed Mohammad
...i collaborates with Homayoun Ershadi, Jamshid Mashayekhi, Shahrokh Estakhri, Hassan Shokoohi, Farhad Aeesh, Kazem Rast Goftar, Hashem Attar, Mehdi Hosseinivand, Arash Boroomand, Babak Eskandari, Mitra Pishvazadeh, Aria Aziminejad, Farrokh Nemati, Maryam Saadat, Sepand Amir Soleimani, Morteza Zarabi, Nafiseh Roshan, Abbas Mahboub, Mohammad Tehrani, Ali Kazemi, Mohammad Reza Bahmanyar, Payam Hossein Souri, Mojgan Bayat.
Sweethearts is about that 14-year-old Kaim drifts to the Delbaran crossing on the Afghan-Iran border, where he finds work at a coffee shop frequented by truck drivers. He feels at home in this small oasis of friendliness, though the sounds of war can be heard in the background, violent bandits prowl the roads, and opium is everywhere. As we watch Kaim run from one task to another day after day, we soon realize that we are watching a boy who is being cheated out of his childhood. In this film Saeed Mohammadi collaborates with Abolfazl Jalili, Mohammad Ahmadi, Hossein Mafi, Hossein Abolsedgh, Masoud Behnam, Mahmood Moosavinejad, Reza Saberi, Shozo Ichiyama, Masayuki Mori, Kaim Alizadeh, Rahmatollah Ebrahimi, Hossein Hashemian, Ahmad Mahdavi, Ebrahim Ebrahimzadeh, Teymour Shamsi, Kobra Birjandi, Haser Kafi, Maryam Sharifi, Khatereh Kamyar, Hassan Zarfam, Jalal Nasiri.
Blackboards is about that Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope? In this film Saeed Mohammadi collaborates with Behnaz Jafari, Bahman Ghobadi, Mohsen Makhmalbaf, Samira Makhmalbaf, Mohammad Ahmadi, Behrouz Shahamat, Mohammad Reza Darvishi, Ebrahim Ghafouri, Akbar Meshkini, Shozo Ichiyama, Marco Mueller, Abbas Saghari, Mohammad Karim Rahmati, Rafat Moradi, Mayas Rostami, Saman Akhbari, Ahmad Bahrami, Karim Moradi, Hassan Mohamadi, Rasool Mohamadi, Somaye Veisee, Mohammad Moradi.
Marooned in Iraq is about that Mirza who is a famous singer and music player, asks his sons Barat and Owde to help him in searching for a woman called Hanareh. He has found out that Hanareh is singing for Kurdish refugees at the Iran-Iraq border. These three people begin their journey and when they arrive at the camp of refugees, they can not find Hanareh but she has left a letter. Her mother-in-law tells them the letter is to Mola Ghader. They find Mola Ghader who is forced by a bully and violent man to marry him a girl while the girl's father disagree with the marriage. The violent man knows Mirza and his sons and takes them forcibly to play songs in his wedding. But the wedding ceremony is disturbed and a struggle comes up. Barat meets a woman and falls in love with her but the woman does not pay any attention to him. Mirza and his sons go to Mola Ghader who is buried in sand up to his neck by the violent man. Mola Ghader says he does not know anything about the letter. They continue their search but some bandits have disguised as gendarmes and rob them. In search of the bandits in Kurdistan of Iraq, Barat sees his motorcycle in a coffee shop but fails to return it. The coffee man gives them an address of Hanareh and they move on until they encounter a teacher who is teaching to his students on top of a mountain. He takes them to his camp. Owde who has seven wives and and thirteen children by himself, decides to adopt two children of the camp too. Mirza and Barat see a mass grave on their way. There, Barat finds a woman whom he has loved for her nice voice. The old man continues his way alone. At the women camp, Mirza is told that Hanareh has invited him because Seyed (Hanareh's husband) had said in his will that Mirza should bury his corpse. Mirza buries Seyed and then finds out that Hanareh has lost her voice due to a chemical bombardment. Among Hanareh's family, there is only her daughter Snooreh alive. Mirza takes her to Iran. In this film Saeed Mohammadi collaborates with Bahman Ghobadi, Hayedeh Safiyari, Saed Nikzat, Faegh Mohammadi, Arsalan Kamkar, Alireza Alavian, Hossein Rashid-Ghamat, Allah-Morad Rashtian, Shahab Ebrahimi, Rojan Hosseini, Iran Ghobadi.
Saeed Mohammadi has been a Producer in some movies:
Bitter Hourglass is about that "Bitter Sand Hour" tries to deal with the problem of their lost time and the blocking of their path to reach their inner and acquired talents by depicting a corner of the daily life and problems of working and street children In this film Saeed Mohammadi collaborates with Ramin Rastad, Mehdi Dehghan, Yaser Zamani, Masood Jazayeri, Hamidreza Kordischani -.
My Image Is Not in the Mirror is about that This movie tells the story of a couple who have to spend 72 hours together in the same room. This provokes some unsolved conflicts between them. In this film Saeed Mohammadi collaborates with Ladan Mostofi, Shahrokh Foroutanian, Mehdi Ahmadi, Afsaneh Chehrehazad, Mahchehreh Khalili, Davood Amiri, Kaveh Imani, Fardin Khalatbari, Hossein Abolsedgh, Majid Shahryari, Amir Shahverdi, Abtin Barghi, Ezzatollah Ramezanifar, Nahid Delagah, Ali Bahramifar, Mohammad Reza Khaki, Ali Ansariyan, Neda Ghasemi, Mehrnoosh Abdi Monfared.
MORE
