Vahid Nikkhah Azad ( وحید نیکخواه آزاد ) is an award-winning writer whose career began in 2011 with the film Naagahaan Zinata. He followed this up in 2013 with Maadaraaneh, which was awarded Best Screenplay at the Tehran Shorn Film Festival.Vahid Nikkhah Azad has been a Producer in some movies:
Mom Lala and Her Children is about that Naneh Lala is an elderly woman living in a house scheduled for demolition to make way for a new avenue. With all her children moved away and no phone in the house t
...o contact them, she is in a seemingly impossible situation with no hope. When her son calls a neighbor's phone inside a locked house, it is up to a local troupe of plucky children to get Naneh Lala there before it is too late. An energetic and charming family film. In this film Vahid Nikkhah Azad collaborates with Kambozia Partovi, Varouzh Karim Masihi, Maryam Shirazi, Bahman Zonoozi.
Dawn is about that In Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break - based on a compilation of true stories and shot inside Tehran's century-old prison - revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim does not show up on the appointed day of the sentencing, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness. In this film Vahid Nikkhah Azad collaborates with Hossein Yari, Mehran Kashani, Atash Taghipour, Behrooz Shoeibi, Hoda Nasseh, Reza Radmanesh, Asghar Bichareh, Bayram Fazli, Ebrahim Saeedi, Hamid Rahmanian, Zabih Afshar, Hassan Zahedi, Mohammad Shiri, Amir Abedi, David Bergeaud, Ahmad Saket.
Vahid Nikkhah Azad has been a Director in some movies:
Half for Me, Half for You is about that Finding someone with whom you can share all your secrets may seem like a wonderful dream, but for Pouneh and Sepideh, that is exactly what they've found. The very best of friends, Pouneh and Sepideh share many of the same interests and fashion sense, but questions about their respective families reveal they may have more in common than they first thought: namely their father Bahram. Now the burden of choice is on him, Bahram's siblings urging him to reveal the truth of his double marriage, while his daughters encourage him to keep the secret hidden. In this film Vahid Nikkhah Azad collaborates with Nader Soleymani, Shaghayegh Farahani, Shohreh Lorestani, Mohammad Reza Sharifinia, Behzad Rahim Khani, Merila Zarei, Farhad Aeesh, Ali Sartipi, Gholamreza Azadi, Soheila Golestani, Hassan Ayoubi, Arash Boroomand, Asghar Abdollahi, Tarlan Parvaneh, Alma Oskoei, Rojan Aryamanesh, Maryam Amir Jalali, Amir Tavassoli, Mahmood Moosavinejad, Afsaneh Samadzadeh.
The Foster Child is about that New Year Eve... There are some families, some mothers and fathers, some children and some old wounds to be opened up... In this film Vahid Nikkhah Azad collaborates with Shabnam Gholikhani, Shamsi Fazlollahi, Fariba Kowsari, Hamidreza Pegah, Behrooz Shoeibi, Reza Radmanesh, Mehrdad Ziaei, Farshad Mohammadi, Hossein Bashash, Negar Nikkhah Azad, Niloufar Mahmoudi, Solmaz Hesari, Hamid Molavi, Alireza Mozaffari, Arshia Sadeghi, Erfaneh Saray Sorour, Kimia Hosseini, Danial Kouhestani, Navid Nikkhad Azad, Afsaneh Samadzadeh.
Bread and Poetry is about that The somewhat self-centered Majid has one aim in life - to become a poet. When he discovers Victor Hugo's 'Les Miserables,' he falls in love. However, his lowly status as a delivery boy means that he cannot afford his own copy of the book, and must go to the library to read it. When this becomes tiresome, Majid makes the decision to switch the library book with a tome belonging to his uncaring brother-in-law. Unfortunately, little does Majid know that the book has a valuable check tucked into it. Now he must track the book down before the check is discovered. Will he succeed, and more importantly, will he ever make it as a poet? A charming tale of a young man struggling to realize his dreams. In this film Vahid Nikkhah Azad collaborates with Reza Saeidi, Kiumars Pourahmad, Fereshteh Taerpoor, Bahman Ardalan, Parviz Malek Zadeh, Mahmoud Samakbashi, Masoud Behnam, Parvindokht Yazdaniyan, Mohammad Ali Miandar, Zahra Broomand, Babak Borzooyeh, Mohsen Maleki, Mehdi Bagherbeigi, Jamshid Sadri, Asieh Kalani, Zohreh Taei, Sara Soltani, Hasan Akbari, Naser Etezazi, Mehran Reyhani, Abolhasan Zare, Mohammad Etezazi, Akbar Golestani, Mohmmad Ali Etrak, Ali Barati, Hasan Shabnroozi, Jamal Hodaee, Hamid Kermani, Akbar Jamshidi.
The Mirror is about that A seven year old girl in traditional female clothing, with her arm in plaster, comes out of school one day and doesn't find her mother meeting her. She decides to travel home herself though she doesn't know her address and remembers the road only visually, she uses her innovative thinking to get back home safely. In this film Vahid Nikkhah Azad collaborates with Jafar Panahi, Bahman Ardalan, Yadollah Najafi, Mina Mohammad Khani, Naser Omuni, Farzad Jodat, Tahoura Abolghasemi.
Old Men's School is about that The film tells the story of an old man named Paknahad, whose sons hid him in a nursing home to seize their father's property. In this film Vahid Nikkhah Azad collaborates with Akbar Abdi, Mehdi Fathi, Saeed Poursamimi, Azizollah Honaramouz, Gohar Kheirandish, Mahmood Banafshekhah, Jafar Bozorgi, Ali Asghar Garmsiri, Reza Banafshekhah, Ali Sajadi Hosseini, Fereshteh Taerpoor, Bahman Ardalan, Mohammad Reza Aligholi, Bahram Dehghan, Dariush Ayari, Alireza Talebzadeh, Amir Hossein Ghasemii, Manijeh Hatamabadi, Masoud Behnam, Farahnaz Manafi Zaher, Jamal Ejlali, Akbar Doodkar, Soroush Khalili, Babak Shoaei, Ali Nikraftar, Ahmadreza Asadi, Hamid Reza Moradi, Ataollah Zahed, Bahram Jalali.
Other films are:
The Child and the Soldier, White Wings, Herdsman, Shadows of Assault, The Squeaking Shoes, Mahboubeh, Ilia, The Young Painter, The Little Sparrows, Silence, Beauty and the Beast, A Heart for an Eye, Ali and Danny, Absent Third Person
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